Career Aspirations and Target Companies
-
I aim to work in game animation( Game preview Video) and contribute to independent animation projects, while also exploring roles in concept art or character design. I prefer creative hubs like Shanghai, Hangzhou, London, or Hong Kong for their vibrant game and animation industries. My research confirms that companies in these cities fit my goals:
• NetEase Games
– A leading global game developer/publisher headquartered in Hangzhou . NetEase has built a worldwide studio network (including offices in Tokyo, Montréal, and the UK) . Its portfolio includes high-profile titles like Onmyoji, Harry Potter: Magic Awakened, and NARAKA: Bladepoint . Job postings at NetEase emphasize skills in 2D/3D animation, visual design, and storytelling, reflecting their focus on cinematic game experiences. I am especially drawn to NetEase’s integrated creative pipeline that unites world-building, art direction, and technology. In future, working at NetEase’s London or Shenzhen studio would let me deepen my skills in game storytelling and cinematic animation.
• Blue Zoo Animation Studio
– A British animation studio based in London (Fitzrovia) that has won multiple BAFTA and Emmy awards . Blue Zoo is known for its distinctive, character-driven style; its notable productions include Alphablocks, Numberblocks, The Adventures of Paddington, and the Netflix series Big Tree City . The studio emphasizes expressive performance and timing, and it balances commercial work with creative experimentation. I admire Blue Zoo’s Blue Zoo Academy training program, which helps emerging animators learn industry-standard tools (e.g. Maya, Toon Boom, After Effects). A campus visit to Blue Zoo confirmed how their projects range from polished TV series to playful shorts, matching my interest in diverse animation styles.
• KAZE Studio
– A Shanghai-based animation studio composed of a “young, creative and passionate” team . KAZE specializes in both 2D and 3D animation, advertising, and illustration . Its portfolio includes work for major brands: for example, KAZE produced a Coca-Cola “Spring Panda” commercial, and even collaborated with renowned manga director Katsuhiro Otomo (on the FREEDOM ad) . This confirms KAZE’s global reach and creative ambition. I’m attracted to KAZE’s flexible, energetic culture, which seems to foster both professional growth and artistic freedom.
Summary
Overall, this research highlights the range of animation production environments available. Large game companies like NetEase focus on technical collaboration and large IPs, whereas creative studios like Blue Zoo and KAZE emphasize storytelling, style, and experimentation. I aspire to bridge these worlds – using strong technical skills (animation pipelines, 3D tools) and artistic sensibilities – to help create visually compelling, emotionally engaging animations. Moving forward, I will target roles at studios that offer both solid production experience and room for creative growth, contributing to projects that delight global audiences.
References
NetEase Games :
https://www.neteasegamesmtl.com/careers
https://www.neteasegames.com/news/netease-games-opens-new-london-studio
Blue Zoo Animation Studio :
https://www.blue-zoo.co.uk/careers
Blue Zoo Academy ：
https://www.bluezooacademy.com
Kaze Studio :
http://www.kaze.com.cn/about/
Katsuhiro Otomo— Freedom AD：
http://www.kaze.com.cn/portfolio/freedom-project/
-
I aim to work in game animation( Game preview Video) and contribute to independent animation projects, while also exploring roles in concept art or character design. I prefer creative hubs like Shanghai, Hangzhou, London, or Hong Kong for their vibrant game and animation industries. My research confirms that companies in these cities fit my goals:
• NetEase Games
– A leading global game developer/publisher headquartered in Hangzhou . NetEase has built a worldwide studio network (including offices in Tokyo, Montréal, and the UK) . Its portfolio includes high-profile titles like Onmyoji, Harry Potter: Magic Awakened, and NARAKA: Bladepoint . Job postings at NetEase emphasize skills in 2D/3D animation, visual design, and storytelling, reflecting their focus on cinematic game experiences. I am especially drawn to NetEase’s integrated creative pipeline that unites world-building, art direction, and technology. In future, working at NetEase’s London or Shenzhen studio would let me deepen my skills in game storytelling and cinematic animation.
• Blue Zoo Animation Studio
– A British animation studio based in London (Fitzrovia) that has won multiple BAFTA and Emmy awards . Blue Zoo is known for its distinctive, character-driven style; its notable productions include Alphablocks, Numberblocks, The Adventures of Paddington, and the Netflix series Big Tree City . The studio emphasizes expressive performance and timing, and it balances commercial work with creative experimentation. I admire Blue Zoo’s Blue Zoo Academy training program, which helps emerging animators learn industry-standard tools (e.g. Maya, Toon Boom, After Effects). A campus visit to Blue Zoo confirmed how their projects range from polished TV series to playful shorts, matching my interest in diverse animation styles.
• KAZE Studio
– A Shanghai-based animation studio composed of a “young, creative and passionate” team . KAZE specializes in both 2D and 3D animation, advertising, and illustration . Its portfolio includes work for major brands: for example, KAZE produced a Coca-Cola “Spring Panda” commercial, and even collaborated with renowned manga director Katsuhiro Otomo (on the FREEDOM ad) . This confirms KAZE’s global reach and creative ambition. I’m attracted to KAZE’s flexible, energetic culture, which seems to foster both professional growth and artistic freedom.
Summary
Overall, this research highlights the range of animation production environments available. Large game companies like NetEase focus on technical collaboration and large IPs, whereas creative studios like Blue Zoo and KAZE emphasize storytelling, style, and experimentation. I aspire to bridge these worlds – using strong technical skills (animation pipelines, 3D tools) and artistic sensibilities – to help create visually compelling, emotionally engaging animations. Moving forward, I will target roles at studios that offer both solid production experience and room for creative growth, contributing to projects that delight global audiences.
References
NetEase Games :
https://www.neteasegamesmtl.com/careers
https://www.neteasegames.com/news/netease-games-opens-new-london-studio
Blue Zoo Animation Studio :
https://www.blue-zoo.co.uk/careers
Blue Zoo Academy ：
https://www.bluezooacademy.com
Kaze Studio :
http://www.kaze.com.cn/about/
Katsuhiro Otomo— Freedom AD：
http://www.kaze.com.cn/portfolio/freedom-project/
-
I aim to work in game animation( Game preview Video) and contribute to independent animation projects, while also exploring roles in concept art or character design. I prefer creative hubs like Shanghai, Hangzhou, London, or Hong Kong for their vibrant game and animation industries. My research confirms that companies in these cities fit my goals:
• NetEase Games
– A leading global game developer/publisher headquartered in Hangzhou . NetEase has built a worldwide studio network (including offices in Tokyo, Montréal, and the UK) . Its portfolio includes high-profile titles like Onmyoji, Harry Potter: Magic Awakened, and NARAKA: Bladepoint . Job postings at NetEase emphasize skills in 2D/3D animation, visual design, and storytelling, reflecting their focus on cinematic game experiences. I am especially drawn to NetEase’s integrated creative pipeline that unites world-building, art direction, and technology. In future, working at NetEase’s London or Shenzhen studio would let me deepen my skills in game storytelling and cinematic animation.
• Blue Zoo Animation Studio
– A British animation studio based in London (Fitzrovia) that has won multiple BAFTA and Emmy awards . Blue Zoo is known for its distinctive, character-driven style; its notable productions include Alphablocks, Numberblocks, The Adventures of Paddington, and the Netflix series Big Tree City . The studio emphasizes expressive performance and timing, and it balances commercial work with creative experimentation. I admire Blue Zoo’s Blue Zoo Academy training program, which helps emerging animators learn industry-standard tools (e.g. Maya, Toon Boom, After Effects). A campus visit to Blue Zoo confirmed how their projects range from polished TV series to playful shorts, matching my interest in diverse animation styles.
• KAZE Studio
– A Shanghai-based animation studio composed of a “young, creative and passionate” team . KAZE specializes in both 2D and 3D animation, advertising, and illustration . Its portfolio includes work for major brands: for example, KAZE produced a Coca-Cola “Spring Panda” commercial, and even collaborated with renowned manga director Katsuhiro Otomo (on the FREEDOM ad) . This confirms KAZE’s global reach and creative ambition. I’m attracted to KAZE’s flexible, energetic culture, which seems to foster both professional growth and artistic freedom.
Summary
Overall, this research highlights the range of animation production environments available. Large game companies like NetEase focus on technical collaboration and large IPs, whereas creative studios like Blue Zoo and KAZE emphasize storytelling, style, and experimentation. I aspire to bridge these worlds – using strong technical skills (animation pipelines, 3D tools) and artistic sensibilities – to help create visually compelling, emotionally engaging animations. Moving forward, I will target roles at studios that offer both solid production experience and room for creative growth, contributing to projects that delight global audiences.
References
NetEase Games :
https://www.neteasegamesmtl.com/careers
https://www.neteasegames.com/news/netease-games-opens-new-london-studio
Blue Zoo Animation Studio :
https://www.blue-zoo.co.uk/careers
Blue Zoo Academy ：
https://www.bluezooacademy.com
Kaze Studio :
http://www.kaze.com.cn/about/
Katsuhiro Otomo— Freedom AD：
http://www.kaze.com.cn/portfolio/freedom-project/
-
I aim to work in game animation( Game preview Video) and contribute to independent animation projects, while also exploring roles in concept art or character design. I prefer creative hubs like Shanghai, Hangzhou, London, or Hong Kong for their vibrant game and animation industries. My research confirms that companies in these cities fit my goals:
• NetEase Games
– A leading global game developer/publisher headquartered in Hangzhou . NetEase has built a worldwide studio network (including offices in Tokyo, Montréal, and the UK) . Its portfolio includes high-profile titles like Onmyoji, Harry Potter: Magic Awakened, and NARAKA: Bladepoint . Job postings at NetEase emphasize skills in 2D/3D animation, visual design, and storytelling, reflecting their focus on cinematic game experiences. I am especially drawn to NetEase’s integrated creative pipeline that unites world-building, art direction, and technology. In future, working at NetEase’s London or Shenzhen studio would let me deepen my skills in game storytelling and cinematic animation.
• Blue Zoo Animation Studio
– A British animation studio based in London (Fitzrovia) that has won multiple BAFTA and Emmy awards . Blue Zoo is known for its distinctive, character-driven style; its notable productions include Alphablocks, Numberblocks, The Adventures of Paddington, and the Netflix series Big Tree City . The studio emphasizes expressive performance and timing, and it balances commercial work with creative experimentation. I admire Blue Zoo’s Blue Zoo Academy training program, which helps emerging animators learn industry-standard tools (e.g. Maya, Toon Boom, After Effects). A campus visit to Blue Zoo confirmed how their projects range from polished TV series to playful shorts, matching my interest in diverse animation styles.
• KAZE Studio
– A Shanghai-based animation studio composed of a “young, creative and passionate” team . KAZE specializes in both 2D and 3D animation, advertising, and illustration . Its portfolio includes work for major brands: for example, KAZE produced a Coca-Cola “Spring Panda” commercial, and even collaborated with renowned manga director Katsuhiro Otomo (on the FREEDOM ad) . This confirms KAZE’s global reach and creative ambition. I’m attracted to KAZE’s flexible, energetic culture, which seems to foster both professional growth and artistic freedom.
Summary
Overall, this research highlights the range of animation production environments available. Large game companies like NetEase focus on technical collaboration and large IPs, whereas creative studios like Blue Zoo and KAZE emphasize storytelling, style, and experimentation. I aspire to bridge these worlds – using strong technical skills (animation pipelines, 3D tools) and artistic sensibilities – to help create visually compelling, emotionally engaging animations. Moving forward, I will target roles at studios that offer both solid production experience and room for creative growth, contributing to projects that delight global audiences.
References
NetEase Games :
https://www.neteasegamesmtl.com/careers
https://www.neteasegames.com/news/netease-games-opens-new-london-studio
Blue Zoo Animation Studio :
https://www.blue-zoo.co.uk/careers
Blue Zoo Academy ：
https://www.bluezooacademy.com
Kaze Studio :
http://www.kaze.com.cn/about/
Katsuhiro Otomo— Freedom AD：
http://www.kaze.com.cn/portfolio/freedom-project/